Abstract: Through the global circulation of Cuban Salsa and other Afro-diasporic dance traditions, the Yoruba deity Obatalá continues to reach new audiences. This essay explores how dancers embody a form of authority grounded not in force or spectacle, but in presence alone.
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The Correspondette guides readers through the art world with just the right amount of mischief.
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Abstract: By examining the collaboration between Skullpanda and the Van Gogh Museum through the lens of collector culture, museum practice, and cultural value, this essay argues that the project was ultimately positioned as merchandise rather than as a significant artistic dialogue, revealing broader tensions between commerce, curation, and cultural stewardship.
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